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“The job of the writer isn't to answer questions. The job of the writer is to ask the questions for which there are no answers.” - J.M. Porup

Writing

Apr. 17th, 2012 09:01 am
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If you write to impress it will always be bad, but if you write to express it will be good. - Thornton Wilder, 1897 - 1975

Tears...

Nov. 22nd, 2011 11:34 am
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    No tears in the writer, no tears in the reader. - Robert Frost, 1874 - 1963


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Many years ago I read a Dick Francis novel which had a French-Canadian character named Baudelaire. His first name was normal enough, and I've forgotten it; but his surname stuck in my head because it sounded so very un-Canadian to me. I've never heard of a Canadian named Baudelaire. Which doesn't mean I've heard every name there is in Francophone Canada; I know they can't all be named Lalonde, Paquette, Thibeau and Derouin. But. I've never checked a phone book... So, curious, tonight I looked up Baudelaire online with www.canada411.com and got no results for people in Montreal or Quebec City with that name.

Come to think of it, I've only ever heard of one person in France with that name, though it's probably not so unusual there.

I suspect Dick Francis just picked the name because he liked it; or because he liked Baudelaire's poetry. I certainly do.

I was thinking about it because I was reading Jilly Cooper - another British author - and she introduced a Canadian character name Eric de Genestre. Again, I blinked: it sounds very unlike a Canadian name to me. And again, when I looked it up, there's no one of that name in Montreal or Quebec City. When I googled for it, I got mostly Italian references: de Genestre, or de Genestra, seems to be an Italian name. Cool. Goodness knows there are plenty of Canadians with Italian names, but the book referred to him as having a French accent. Also possible - there are plenty of people with Italian names living in Québec and other Francophone areas. But still. Every rationalization makes it a little more of a stretch.

I understand that neither Francis nor Cooper are Canadians, and they probably never visited Canada, and I shouldn't be caught up on a detail, but... couldn't they at least pick a name someone in Canada would really be likely to have?

Am I right? Or am I simply speaking in ignorance?

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After being terrifically busy at work over the past few weeks, today was a bit of a change. Not that I had free time, but only one thing to do at a time, and a change to catch up on a few organizational things. Even a chance to work a bit on the database of addresses.

I had a meeting with my boss, and learned that my job will be extended till October. That's the good part. The not so good part is that in July and August, the hours will be cut. So it's still job-hunting time, and free-lancing time, but I don't feel quite so panicky.

I had lunch with Sheila at the Emerald Buffet, where they had squick and tripe, making me very happy indeed.

Then I went home and napped: not really my plan, but I've been short of sleep for days and was going past the point of functionality.

Worked on my income tax a little - tried to get a document from Revenue Canada last year that my tax accountant wanted. Getting onto the page in the first place was murder; they kept asking for lines from last year's form, which, when I found the right line, they then changed to verify my identity. Finally I got into the page, only to have about eight identity-affirming questions and they still won't give me the document I want - they're mailing it to me via Canada Post. What is so secret about my income tax that it needs levels of security worthy of the upper levels of CSIS? And why do I hate government-generated forms so much?

Went to Costco with [livejournal.com profile] maaseru and picked up my glasses, along with some staples like dried parsley and quinoa and fish oil pills. And, as a treat, dried mangoes, which [personal profile] commodorified brought to my place a while ago, and I fell in love with it. Another snacking option. I wish Costco carried the kind of yogurt I like, but they never do. I was reading a recipe today in a yoga magazine for making yogurt, and I have more than once seriously considered doing that. But it sounds fiddly, and I don't have a yogurt maker, and I'm fussy about what my yogurt tastes like. Continuing to buy the Astro Balkan is the easier option, as long as they keep producing it.

I was consulting yesterday with friends about rearranging my apartment to accommodate my comic bool collection. [livejournal.com profile] maaseru today had what may be the best and easier solution of all. I'm going to have a go of it on the weekend.

I fished the stinky blender out of the bucket of baking soda today, and it still smells glastly. I fear the aroma got into the plastic of the lid. I'm soaking it again tonight, and tomorrow may take more serious measures with vinegar and/or tomato juice, if I have to.

For years now I've felt creatively sluggish and unable to write. Today at last stories and ideas were coming back into my brain - stories with words, just as used to happen. I was thrilled. I wanted to write them down, but of course had no time at all: work, errands, editing, and all that serious napping got in the way.

Maybe tomorrow.

fajrdrako: ([Buffy] - Spike)




1. Can anyone here suggest a word processing program with which you can start numbering the pages automatically on page 2? Or with which you can omit page numbers from any given page or pages?

2. Anyone know where I can find Dark Wolverine fanfic? Or good X-Men slash?

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    Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes. - Annie Dillard


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Mike Carey was speaking at the Ottawa Writers Festival today. My thanks to [livejournal.com profile] auriaephiala for letting me know; she wasn't familiar with his work, but she knew I would be. He's a comic book writer whose work I have enjoyed - particularly on Hellblazer, Lucifer, and X-Men.

I am so glad I went. The venue was delightful: Saint Brigid's Centre for the Arts and Humanities - an old church, nicely refurbished, in a hall with old grey stone walls. The interviewer asked intelligent questions and was clearly very familiar with Carey's work. And Carey spoke well on various aspects of his own career and the process of writing for comics.

I hadn't known, but he has a series of prose novels out as well, starting with The Devil You Know - urban fantasy. I bought one on faith and got it autographed.

ExpandHighlights... )

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There are three rules for writing the novel. Unfortunately, no one knows what they are. - W. Somerset Maugham.

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From [livejournal.com profile] dagdalorijane on [livejournal.com profile] literaryquotes:
"And, in fact, this is the tale that I would love to write: history is such a romantic place, with its jarveys and urchins and side-buttoned boots. If it would just stay still, I think, and settle down. If it would just stop sliding around in my head." - Anne Enright.


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Is there anyone here able and willing to beta a story for me? It's Doctor/Jack/Rose, about 4,500 words long.

fajrdrako: ([Shakespeare])


[livejournal.com profile] auriaephiala sent me a link to this essay, quite rightly thinking I'd find it interesting.

And now I'm pondering the question of 'blood' and whether I think she's right. Or whether Stoppard is right. My first thought was 'no', certainly in the way she defines 'blood' - i.e., that blood=conflict, and without conflict you don't have a story. But my first reading of 'blood' was of physicality, visceral feelings, instincts. Different slant entirely.
I can’t do you love and rhetoric without the blood. Blood is compulsory — they’re all blood, you see.
So can I think of stories, good stories, that have love and rhetoric without the blood? Jane Eyre? No, the first Mrs Rochester had to die before Jane and Mr Rochester could resolve their love. The Game of Kings? Sure, there's lots of blood, there's a war and duels and stabbings in the back, but I was thinking of that of peripheral - the story and its resolution are quite different - but then I remembered the scene with Richard in the clearing, which could never have happened if Lymond hadn't been physically shot and in extremis; and it was Lymond's stabbing of Janet Beaton (however incidental that may have been!) that set everything into motion in the first place. So. Yes. Blood.

And of course if you take 'blood' to include 'blood relationships', it's the core of the whole Lymond opus and the Nicholas books besides.

Is blood central to the Bujold novels? Blood-ties, yes, including that of clones. War and its connotations of killing is central to most of the Vorkosigan novels... Memory in particular, where the action of the story centres on the fact that Miles killed someone (even if his victim survived) and failed to reveal his full crime.

And if you follow the train of thought, that blood, in the sense of our physicality, and blood in the sense of our bloodlines and families, and blood in the sense of our conflicts and/or our fear of conflict and of death... If blood is identity, then all stories are about blood.

I think this may be an elegant restating of the idea that all stories are about sex and death. "Blood" covers both categories rather nicely.

But I think all stories are about identity.

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I love Annie Dillard's writing, especially in Pilgrim and Tinker's Creek. I was delighted to see this quote from her fro [livejournal.com profile] reginaclarejane today:
One of the few things I know about writing is this: shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is the signal to spend it now. Something more will arise later, something better. These things fill in from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.


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"Go to the edge of the cliff and jump off. Build your wings on the way down." - Ray Bradbury, in the Brown Daily Herald (24 March 1995)


Writing...

Sep. 30th, 2008 11:29 am
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Writing has laws of perspective, of light and shade just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself. - Truman Capote
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Lois McMaster Bujold posted an interesting link to a form letter written by Robert Heinlein to answer letters from fans. The letter itself is entertianing enough, but I was interested in this comment by the person who put up the letter:
While getting a form letter back might be thought rude, it was much better than being ignored, and besides, the other questions you did not ask were also answered! Indeed, it is both remarkable and heartwarming that Heinlein replied at all to most mail. Can you imagine other great authors doing the same -- even with a form letter?

To which my rather-too-easy answer is 'yes'. Dunnett fans have long been amazed and impressed by the prompt, courteous, hand-written notes with which she replied to every piece of fan mail she received. This sometimes this blossomed into full and enduring correspondence, especially in the early years.

I have not written to as many authors as I think I should, but when I have, I have always received responses - and I sometimes ended up with a new friend because of it.

Don't most authors reply to fan mail? Have people here had experience with authors who didn't? who were they? I can understand writers being too busy to correspond, but my actual experience has been that they love getting fan mail and often feel moved to respond.

Perhaps Heinlein's reponse would have been different if the letters were from kids asking me to do their homework. But even that - it seems to me that interviewing a writer is not necessarily a bad way to approach an assignment.

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I went to a meeting of the Ottawa Romance Writers Association today, because a friend of mine was speaking. We met first for lunch at Milestones on Baxter Road, and had a good time talking about Buffy and Torchwood and other important matters. I was in ORWA for years and was on their executive, but it was long enough ago that they've mostly forgotten me, or remember me as the friend of Jo Beverley's who was into Lord of the Rings. Which is cool, actually.

The talk was about conveying emotion in writing - how less is more, how metaphor and viewpoint can be used to create greater emotional impact on the reader than any kind of overemphasis will do. I was amused (but not surprised) that my friend's chosen selections for her print-outs involved three of my four favourite authors or sources: Dorothy Dunnett's Checkmate, a Susan Elizabeth Phillips novel, and Casablanca. The other citation was from a Laura Kinsale novel I haven't read. And the poetry chosen? Two other favourites: "Ars Poetica" by Archibald McLeish and "Funeral Blues" by W.H. Auden.

When I think about it, this is not surprising. A friend is a friend because of shared taste, among other things.

As with all such meetings, it got me thinking about my own writing, and reflecting that I'd like to rejoin the group even if just for the psychological boost. They're holding a conference later on in September. I'd like to go; can't afford it. Next time.

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On one of my Dunnett lists today, Olive quoted Wordsmith quoting Strunk & White quoting Mark Twain:
William Strunk and E.B. White, in their highly-regarded book, The Elements
of Style, say:

"Write with nouns and verbs, not with adjectives and adverbs. The adjective hasn't been built that can pull a weak or inaccurate noun out of a tight place."

They have a point. Nouns and verbs work better especially when you're trying to paint a picture with words. Adjectives and adverbs are to nouns and verbs as painting is to stenciling.

But adjectives have their place. There are times when a well-chosen adjective (literally, one that lies [next to a noun]) can do the job of many words, such as when the purpose is to convey an idea quickly and succinctly.

So don't be afraid to use them, with restraint, particularly if you can find a fresh adjective. This week we'll feature five of these much-maligned words, words that drove Mark Twain to verbicide* ("When you catch an adjective, kill it").

I find this reassuring.

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