And still more on Elizabeth I...
May. 8th, 2006 09:20 amAt some point, I promise, I'll stop talking about this show.
After we'd watched it, Beulah asked me if I thought Elizabeth Tudor was really a virgin till her death. My answer was sensible and unhelpful; incomplete, though true: I said that historians can't answer that, it would take a psychic to read her mind because the only people who knew (Elizabeth and whoever she might have been with) weren't talking.
But that's actually a dumb answer. The question (and the implied assumptions) treat sex like an either/or black and white proposition. Sex is really a continuum anywhere from a glance across a crowded room to shared orgasm however you get there, and I don't necessarily mean mutual/simultaneous orgasm either. There are lots of ways to have sex without vaginal penetration. So I would like to think that Elizabeth and Leicester (or Essex) had lots of mutually happy sex, but that she was still being legally honest in saying she was a virgin.
Sadly, though, they're not likely to show us that in a historical miniseries, even if they have no qualms about evisceration and severed heads.
Moreover, this isn't a considered or scholarly conclusion based on historical evidence. It's based on my own sense of reality and wishful thinking.
Another retrospective thought about the show is another thought of the characters I wish we'd seen, but didn't - some of them probably omitted because they related to the first twenty years of Elizabeth's reign, which were skipped entirely. John Dee, Sir Philip Sidney, Christopher Marlowe, William Shakespeare and his actors, Roger Ascham, the Earl of Oxford, Sir Walter Raleigh, and while I'm thinking along those lines, Francis Crawford....
Okay, I shouldn't gripe, if they're featured the stories of all those people the show would have been multiple times the length it was. (Would I mind?)
I count myself lucky I got that lovely glimpse of the young James.
The history was extraordinarily good, as far as I could see. I love the way bits of Shakespeare cropped up from time to time, like a theatrical in-joke. But they did fudge by implying that the wonderful sonnet at the end was written by Essex for Elizabeth right before his execution. I knew the poem - I memorized it years ago - it was by Chidiock Tichborne, one of the Babbington plot group. Nicely inserted, but rather jarring to see it reattributed.
I trod the earth and knew it was my tomb,
And now I die, and now I was but made;
My glass is full, and now my glass is run,
And now I live, and now my life is done.
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Date: 2006-05-08 03:10 pm (UTC)no subject
Date: 2006-05-08 03:52 pm (UTC)It's good.
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Date: 2006-05-08 03:39 pm (UTC)As to whether she was a technical virgin, I get the impression that to the Tudors and Elizabethans, sex was simply what you did when you got old enough to have such feelings. Though she was a princess, she had no true hope of the throne when she reached that age (and probably no certainty that she would live to marry,) I'm going to guess that she had no compunctions about taking her pleasure and comfort where she chose.
So, like you, I would assume that she did in fact have a happy sex life at least in the early years, and that her identification as "virgin" had more to do with the notion that no man would ever own her, a wise way to self-identify for a woman whose father was Henry VIII, IMO. She had to have been aware of the power men had over the women they took to their beds. And of course her sister was one of those women who allowed herself to be owned by a man, or at least her love for him, and served as an example of how Elizabeth didn't want to behave. In all, I think the idea of a kind of emotional virginity would have been a perfect mask for her to wear to build the kind of persona that allowed her to hold the throne and its power for herself.
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Date: 2006-05-08 04:02 pm (UTC)I agree with you about Tudors and sex, too. Given that (at least according to this show) both Essex and Leicester married when (and because) their high-born girlfriends became pregnant, it wasn't a particularly chaste court. And as the show hints, there was a degree of fooling around among the men, too.
Not only did Elizabeth see the horror-show that Mary's marriage turned out to be, she had the even worse horror-show of her parents' marriage to think of, which had ended with her mother's death. Then there'd the alternate horror-show of Mary's marriage to Darnley... She had very good reason not to offer any man the control over her that he would get by marrying her. And the social/political implications were bad enough already.
I thought this show was very restrained with it came to the Duc d'Anjou, who, as far as I could see, wasn't even wearing his death's-dead buttons. Are we supposed to believe, in this version, that no one even told Elizabeth about Anjou's eccentricities, let alone the more scurrilous gossip? I don't believe that Elizabeth herself, or the English court, would be naive about any proposed marriage.
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Date: 2006-05-08 10:22 pm (UTC)I've got a copy of this series lying around somewhere. Perhaps I'll pop it in this week and check it out. Thanks for the rec.
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Date: 2006-05-09 03:17 pm (UTC)Do let me know what you think of the series, when you see it.
Are you able to watch it without thinking of Lymond from time to time?
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Date: 2006-05-09 03:27 pm (UTC)I shall certainly let you know what I think. meanwhile, I saw the first ep of "Elizabeth I" on Masterpiece Theatre last night, and wasn't awfully impressed. There was no energy to it, and the young man who played Dudley was more a beefy jock than... well, my idea of what Dudley should've been. There was a scene in which Elizabeth puts Norfolk firmly in his place by listing her prodigious accomplishments (by any standards, but doubly remarkable in a young woman) and it occurred to me that had Robert not been at least at a point where he could hold his own with her in many of these areas, she might well have tired of him early on. Physical attraction, particularly if it's satisfied, doesn't last.
Though I must admit that Joe Fiennes was a spectacularly attractive RD. Yum.
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Date: 2006-05-09 03:49 pm (UTC)Well, true enough. A bunch of sociopaths. Mary Queen of Scots was well out of it. I wonder why that generation turned out so strange? Was it because of Catherine de Medicis? Francis II and Henri II seemed stable enough.
I saw the first ep of "Elizabeth I" on Masterpiece Theatre last night
Is that another show about Elizabeth I? Who plays her? More to the point, is it showing in Canada? I must research this.
There was no energy to it
What a pity. If ever a woman - or an age - had energy, that was it. In spades!
Joe Fiennes was a spectacularly attractive RD. Yum.
Oh, really? Sounds promising! Though I confess, though I mad over Ralph Fiennes, Joe Fiennes has yet to impress me. Maybe this will be it.
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Date: 2006-05-09 04:11 pm (UTC)Joe-as-Leicester is from "Elizabeth." If you didn't care for him there, or in "Shakespeare in Love" it's possible you're immune. I do find that big fans of his brother are left cold by Joe.
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Date: 2006-05-09 05:41 pm (UTC)no subject
Date: 2006-05-09 03:44 pm (UTC)no subject
Date: 2006-05-09 04:00 pm (UTC)Though marriage might have brought her the advantage of having an heir, from her point of view there was nothing particularly wrong with James of Scotland, and she would have seen the various childbirth problems of her sister Mary. Not to mention the many women who miscarried, or died in childbirth, or had other monumental problems Elizabeth was better off without.
Another problem was that any man with the power and rank to marry her also had the power and rank to fight her for the position to rule.
Altogether, I think Elizabeth was incredibly clever in the way she handled her position, with commoners, nobles and council alike.
But I'd like to think she found some happiness with Leicester. I liked the way the Helen Mirren series handled it, where the relationship evolved into a trust friendship.
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Date: 2006-05-09 04:14 pm (UTC)no subject
Date: 2006-05-09 05:46 pm (UTC)no subject
Date: 2006-05-08 05:45 pm (UTC)Have you seen the picture of them (I'm reasonably sure it's Leicester) dancing La Volta?
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Date: 2006-05-08 06:21 pm (UTC)no subject
Date: 2006-05-08 06:40 pm (UTC)no subject
Date: 2006-05-08 06:44 pm (UTC)Heck, I want to read a bio of Elizabeth and/or Essex and/or Leicester. I have in the past read at least two biographies of Elizabeth, but that was long ago and far away.
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Date: 2006-05-08 06:59 pm (UTC)no subject
Date: 2006-05-08 07:00 pm (UTC)no subject
Date: 2006-05-08 10:04 pm (UTC)I've heard it put this way: that her private fears and her public policy meshed. It was easier to avoid marriage with her own nobility, or foreign royalty, if part of her didn't want to marry at all.
I remember reading one historian who said he was satisfied of her virginity because of the behavior of the courtiers, each of whom basically insisted on knowing if his rival(s) 'got to first base' because he hadn't, and he might be in trouble if the other guy did. LOL Well he didn't say it quite that way, but it was persuasive when I read it. Very much like a bunch of overgrown, hotheaded boys would act.
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Date: 2006-05-09 02:42 pm (UTC)Well, of course. I didn't mean to discount that! Whatever happened (or didn't happen), it's very clear that Elizabeth was determined to keep her personal autonomy and no degree of sexual temptation (or profound love) would change that. And it put her in a difficult position.
At the same time, she seems to have had the passionate, life-embracing temperament that was typical of the Tudors, and the strain is visible even after four centuries. Mixed feelings? Frustration? Anger that it wasn't easier to be a Queen and have a love life at the same time?
Very much like a bunch of overgrown, hotheaded boys would act.
I'm sure there was a lot of jealousy - sexual and otherwise.
I suspect also that Elizabeth knew she couldn't trust anyone fully - husband or lover or anyone else.
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Date: 2006-05-09 04:39 am (UTC)no subject
Date: 2006-05-09 02:44 pm (UTC)Not the least point being that she couldn't afford the true vulnerability that love would bring her.
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Date: 2006-05-09 11:57 am (UTC)no subject
Date: 2006-05-09 01:15 pm (UTC)no subject
Date: 2006-05-09 04:32 pm (UTC)If you're not familiar, this is a belief that because the Spirit of God enters a king, he becomes, essentially, a life-giver to his people. It's therefore critical that the king remain healthy and vital, which generally came to revolve around the idea that he is capable of providing heirs to the throne. In some times and places, a king who was weakening, would be put to death, allowing the spirit to enter a strong new body. In some places this occurred every seven years. In others, a substitute king could be offered as a sacrifice in the place of the real king.
Margaret Murray, in her book "The Divine King in England" discusses the working of this belief within England, and suggests that Anne was one of those substitutes who went willingly to her death to preserve Henry's rule. It's a fascinating book, and discusses how pervasive the old religion was within England. Out of print, though.
Katherine Kurz wrote a novel on this subject, entitled "Lammas Night" and it's excellent. Also oop. Not to be confused with Mysti Lackey's "Lammas Night"
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Date: 2006-05-09 05:57 pm (UTC)Without knowing the evidence and arguments she puts forth, my first reaction is to think it sounds anachronistic to apply it as a significant strain of thought in the Tudor period - but in every period, up to and including the present, there are so many strains of thought, it'd hard to tell from a distance what's significant. I'd love to know what Murray's sources were. Without having researched it specifically, my opinion is that the old religion was not particuarly pervasive in England of the time - existing still in folklore and colouring their thought, but not an important factor in their world-view.
But Murray may know all sorts of evidence that I don't.
Does Murray think that Henry VIII was consciously and deliberately playing on these symbols, or that he was influenced by the "Old Religion" himself?
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Date: 2006-05-09 06:05 pm (UTC)Either way, I found Murray's ideas interesting and often compelling, but then it's an idea I'm very taken with and that does make a difference to how receptive we are to any argument.
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Date: 2006-05-09 06:20 pm (UTC)She was accused of witchcraft - wasn't that one of the capital charges against her? And she had that extra finger. It could well be that her family was suspected of the same crimes, since they were implicated in the charges against her - and don't I have a memory of something incestuous in the story? In any case, I am far from an expert in Henry or Anne Boleyn and I'm curious about all of it.
The place I have mostly come across English 'Old Religion' theories is in relation to Robin Hood, and I'm suspicious of the idea in that case, mostly because they seem to involve badly researched, badly understood history. I'm not saying that is likely the case with the Murray book.
I do find that historian tend to forget, confuse, or underestimate the importance of bloodlines, particuarly through the female line.
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Date: 2006-05-09 06:36 pm (UTC)While you're looking into the Murray, do take a look at "From Ritual to Romance" by Weston. It's another study of mystery cults. Fascinating.
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Date: 2006-05-09 06:52 pm (UTC)My library does have "From Ritual to Romance", so I ordered it. Thanks for the reference.