Butterflies Dance in the Dark...
Oct. 29th, 2012 11:57 amButterflies Dance in the Dark is a novel by Beatrice MacNeil, which I read for Lisa's Book Club. Our meeting was tonight.
I hated it, pretty much. Of six of us there, four people liked it, two didn't. One person liked it because it's about a little girl growing up in a small town in Cape Breton Island in the 1950s and beyond, just as she did. Mari-Jen, the protagonist of the story, has a learning disability, which leads her teachers to think she is stupid.
It reminded me of Winter's Bones, in that the people around Mari-Jen are almost all nasty. In Winter's Bones the characters are nasty because they are drug dealers and addicts. In Butterflies Dance in the Dark they are nasty because they are bigoted, insular, poor, and, well, just nasty by habits. The nuns teacher at her school are bullies who seem to enjoy using corporal punishment, and humiliating the children. Her mother is shunned because she has three illegitimate children; they live on welfare. Her only friend is a Polish holocaust survivor, who is shunned by the community because he isn't Roman Catholic; and when she reaches adolescence, she is forbidden to associate with him.
So the older kids bully the younger kids, and the younger kids bully each other, and the men beat their wives, and the women beat their kids, and it's all a vicious circle. A particularly nasty example is Aunt Clara, who is delusional and irrational, and still beaten and raped by Uncle Jule on an ongoing basis.
There were three characters I liked, and enjoyed reading about: the thoughtful immigrant Daniel Peter, and Mari-Jen's two rambunctious older twin brothers.
Most of all, Mari-Jen annoyed me. She wasn't much nicer than those around her, and I found her passivity frustrating. I don't think she grows or changes through the novel, though she grows up. I wanted her to do something, or even to want to do something.
The story is beautifully written, in terms of words and phrases and scenes. My favourite moment (and it almost moved me to tears) is when the man who had survived the Nazi concentration camps is tending Mari-Jen's hands, immmobile, swollen and cut because she was strapped by the Mother Superior. "Bloody, bloody Nazis," he murmurs, and he puts on the salve.
But the story hasn't much structure; it wanders and meanders, and in the end, I didn't think it had much of a point to make.
Next month, we're discussing one of Steven Jay Gould's books.