Real Scholar, indeed. Outward trappings to reflect the inner truth!
The white cotton gloves... gad, to be able to handle a book that actually needs this, such a joy it must have been. Think of all the other hands that have held it. The ones who read it... what colors were their eyes?
I smile. I love such stuff.
I gently disagree with your caption: the person sitting on the bench is real, but she is not "not part of the sculpture," mia kara -- as soon as she sat, she became part of the sculpture. Was that not part of the entire intention of the art? hm
Hearing about being inside a wonderful library on a steaming-hot day was as refreshing for me, I think, as it must have been for you to have been there.
By the way: do you know that your digital camera can take pictures of the book's pages? There is a setting it has (I assume this; maybe it does not have it) called "macro." Macro allows you to hold the lens closer than usual without getting you any distortion. Think about it. Leaves from the book as screensavers....
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Date: 2007-08-03 01:27 am (UTC)The white cotton gloves... gad, to be able to handle a book that actually needs this, such a joy it must have been. Think of all the other hands that have held it. The ones who read it... what colors were their eyes?
I smile. I love such stuff.
I gently disagree with your caption: the person sitting on the bench is real, but she is not "not part of the sculpture," mia kara -- as soon as she sat, she became part of the sculpture. Was that not part of the entire intention of the art? hm
Hearing about being inside a wonderful library on a steaming-hot day was as refreshing for me, I think, as it must have been for you to have been there.
By the way: do you know that your digital camera can take pictures of the book's pages? There is a setting it has (I assume this; maybe it does not have it) called "macro." Macro allows you to hold the lens closer than usual without getting you any distortion. Think about it. Leaves from the book as screensavers....