Mar. 21st, 2010

fajrdrako: (Default)


My latest read: Graceling by Kristin Cashore.

It was highly recommended by friends, and has a lot to recommend it, but it never quite engaged my emotions - except for a desire to see what happens next. It's a real page-turner.

It's the story of Katsa, who lives in the kingdom of Middlun, where her uncle King Randa rules. In her world, children are sometimes born with a "Grace", very like a Marvel mutant being born with a superpower. Everyone's Grace is different, and they have to figure out for themselves what it is. Katsa's Grace is the ability to kill - something she learned when she was eight and a man touched her improperly.

The story is deep in Katsa's point of view. She's a disgruntled loner (with friends), a wild child whom almost everyone fears. She hates the killing and intimidation her uncle forces upon her - he's made her a sort of one-girl army for his convenience. (At this point, I was thinking about X-23.) Katsa is a constant mass of emotions: fear, anger, and defensiveness.

So she makes a secret band of do-gooders who help mitigate the harm her uncle forces her to do. In the course of a midnight rescue, she meets a stranger who becomes involved in her story, a prince named Po. With Po's help, she defies her uncle, and takes on a mystery and a rescue that challenge her on every level and help her come to terms with her life and her powers. Er, I mean, her Grace.

I had two primary problems with the story. One was with structure: the beginning didn't lead directly to the end. There was a good chain of cause and effect at each stage of the adventure, but the problem at the beginning didn't tie into the solutions at the end. Insofar as there were solutions.

My other problem was with the characters. I didn't like Katsa enough to stay with her for more than 400 pages without impatience. Her stubborn self-willed passions made her seem just a little too much like a bratty teen. I also came to find her brittle defensiveness somewhat monotonous. Her only moment of joy is in discovering sex. That doesn't last long - though it's an impressive sex scene, both descriptive and hot without being the least bit explicit. Katsa discovered love a few pages earlier, but that brought only angst and distress.

At first I thought her lover Po would be a nice contrast to her temperament: he was delightful. Bright, brave, wise, clever, inventive, strong, insightful, patient, understanding, self-sacrificing, and ready to put up with her every whim with humour and charm. Even when she is being unreasonable. At some point this wore thin. He was the perfect person, her lover and mentor and knight errant rolled into one, and he's a teen-age boy. This isn't like any teen-age boy I ever met. Or any human being of any age.1

I wish I'd liked the book more, but I was left feeling disappointed that the book was essentially shallow. A "fantasy" is that the people in it were unreal, not that the world was invented.

I'm not sure it's in its favour that the villain was possibly the most horrible villain I have ever encountered in fiction.

~ ~ ~

1 For some reason I can't explain, because I haven't read it, this made me think of Edward in Twilight. Perhaps because my sense of him is that he too is based on a young girl's fantasy of what an ideal lover should be like.

When I was a young girl, my fantasies weren't like this at all.


fajrdrako: ([so sad])


Well. It was bound to come up in the media as soon as we learned that Fox was showing an interest in Torchwood. I hear Fox is notoriously homophobic. I haven't watched produced at Fox, as far as I know, since Firefly. Maybe this is not a coincidence.

Anyway, So [personal profile] auriaephiala send me a link to this article which says, with John Barrowman as the spokesperson, that some things in Torchwood should never change. In fact, John Barrowman is reiteraing what my friends and I have been saying ever since we heard that Fox was nibbling at the bait, a sort of combination of WTF and "Haven't they noticed that the hero isn't straight?"

So [personal profile] auriaephiala send me a link to this article in which John Barrowman said "don't make Captain Jack straight" - well, of course he would say that. And so would Russell T Davies, unless he's sold out to Hollywood that far, that he'd compromise his creation for bucks.

I'd like to think he wouldn't.

And tell me again why anyone thinks it's a good idea to make Torchwood in the States?

fajrdrako: ([Torchwood] - 02)


A thought following on from the one I just posted about the future of Torchwood:

10 Things That Should Never Change About Torchwood

  1. Captain Jack Harkness should be the protagonist - as long as John Barrowman is able to play the role.

  2. Captain Jack Harkness should be omnisexual. Not heterosexual, not homosexual, but omnisexual. Likes all genders, human, alien, and other.

  3. Captain Jack should feel strong emotional ties to those around him.

  4. The Doctor should never be entirely forgotten.

  5. There should be many kinds of aliens featured and mentioned, some good, some bad.

  6. Torchwood should be an adult show, dealing with adult concepts. Which means it should have sex scenes and explore sexual issues, among other complex ideas. And have dialogue containing cursing.

  7. Issues of love, loyalty, trust and danger should be explored along with alternative world-views of all kinds. The should should use imagination and open the field, rather than use ideas that are already respectable and commonplace.

  8. The show should have serious stories, without forgetting some humanizing humour.

  9. The show should deal with with divergences in time and space, as well as present-day human monsters. Torchwood has its roots in the 19th century and has acquired flotsam and jetsam and a collection of mysterious alien technology over the years.

  10. The twenty-first century should be where everything changes.
These are the things that have make Torchwood different and remarkable so far.

fajrdrako: ([Doctort Who] - Eleven)


Steven Moffat on Doctor Who:
Doctor Who is a fairy tale -- not sci-fi, not fantasy but properly a fairy tale. And I don't mean Disney-style where the endings are changed and everyone lives. Doctor Who is how we warn our children that there are people in the world who want to eat them.
I like that as a description of the story. I don't like dark fairy tales necessarily, but I like dark fairy tales with happy endings. This is why, to some extent, I fear Moffat: I don't trust him for a happy, or even a satisfactory, ending. So far he's running better than 50/50 on Doctor Who. though, so I'm looking forward to seeing what he does with the character and the show.

The quote is from an article by Adrian Lourie )

fajrdrako: ([Torchwood] - Jack/Ianto)


The Top Eight Most Ridiculous Fanboy Freakouts amused me because it featured Torchwood and the reactions to Ianto's death as Freakout #6. Love the description of Torchwood:
    Torchwood ... was a sexy sci-fi thriller that quickly found an audience devoted to its tales of Captain Jack and his crew of sexy alien investigators who solved sexy problems and generally made the world a safer and sexier place. In Wales, for some reason. Filled with all the monsters, aliens, and gadgets of Doctor Who plus a whole lot more screwing and swearing, the show was a huge hit in Britain and around the world. Fans invested in the characters, bought the mythology, and sat back and enjoyed the sexiness.
I thought at first they were overstating the sexiness a little, and then I thought, no.... not really.

And really, I was upset about Spider-Man's web-shooters. They're messing with classic Stan Lee material when they mess with those.

And I love them calling Mephisto "the Archdemon of Cheapy Little Fixes in the Marvel Universe".

fajrdrako: ([John Barrowman])


I forgot, perhaps on purpose, that this is the week John Barrowman first appears as a villain on Desperate Housewives. I hesitate to watch it because (a) I don't like the show, and (b) I don't think I want to see Barrowman as a villain.

But having been reminded of it, I looked it up on my TV channels and learned that his episode, 6x18 "My Two Young Men", is being shown at 1:30 a.m., so I set my DVR to record.

It seems that curiosity trumps everything.

Assuming I'll have the courage to watch it.

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